This changes the screen layout to a standard 4:3 ratio, plus it adds a solid black status bar at the bottom of the screen.
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It features translated text for the intro and ending, but removes some of the voice samples.Īs for ports, it initially appeared on the PC Engine. The squeaky, digitized voices of the Bees are cute, though almost indecipherable.ĭetana!! TwinBee was originally released in the arcades, with an obscure English release called Bells & Whistles. The music still shines brightly, with majestic, inspiring melodies.
The trio of composers include Hidenori Maezawa, Masae Nakashima, and Michiru Yamane (one of the main composers of the Castlevania games). With so much effort spent on the conceptual graphics and overall design, it would have been a shame if the sound department hadn’t been on par. The improved hardware does allow for larger and more impressive boss fights, and their design is more consistent than the random array of weirdos from TwinBee 3. The TwinBees now have a chargeable beam shot, but otherwise the mechanics are the same as the original TwinBee. Multiplane scrolling is put to good use to give a dizzying sense of depth.
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Beyond the quaint villages and skybound castles (the theme music is named “Sky Fortress Laputa”, of course), you fly through caverns with floating waterfalls, an aquatic inspired landscape in the sky, and a series of ruins in the desert. The game itself is quite the traditional vertical shooter, with seven stages of the cutest levels ever seen. Each level ends with an eye-catch intermission, with the various heroes goofing off. Light of Mega Man fame, and the buildings the scientists live in are classic “Capsule Corp.” houses, another of Toriyama’s inventions, seen in Dragonball. Cinnamon is almost a carbon copy of the more famous Dr. Again, TwinBee wasn’t the only game series to use these elements: Dr. Slump, one of the most successful manga/anime of the ’80s. The whole “kids with uncle scientist and cute robot mascots” scenario is very reminiscent of Akira Toriyama’s Dr. While Miyazaki’s world is drawn upon for scenery, the characters live in a Toriyama-esque world. Anyone who has seen it will immediately recognize its influence in many of the screenshots. The most obvious source is Hayao Miyazaki’s masterwork Tenkuu no Shiro Laputa (known as Castle in the Sky in America). The universe draws heavily from the anime culture of the 20th century. Just drawing a set of good characters isn’t enough, of course. The heroes became protagonists of an impressive range of different products, from a radio drama to an OVA series, to end with the idol career of Pastel’s voice actress, who did several audio CDs. More than anything else, it was Shuzilow’s incredible high quality work on the characters that shaped the future of the series: in a sense, Pastel, Light, & company became more popular than the game they “happened” to star in. He is the creator of the heroes, the pilots of TwinBee, and WinBee, as well as other unforgettable characters in the universe. To that end, Konami hired Shuzilow.HA, a very gifted artist who had an impressive curriculum in anime. In 1991, Konami could finally realize that aspiration to the fullest thanks to 16-bit graphics. The idea behind TwinBee had always been an anime themed shooter. Detana!! TwinBee is the game that defines the series.
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